By definition, any film made in the US outside of the major Hollywood studio network will be classified as an indie film. Practically speaking, it represents a large section made up of nearly all films produced outside of the major Hollywood studios. Movies like this face steep obstacles blocking their distribution, even in the big coastal cities, with their established film cultures. Those seeking these hard to find gems need to cuddle up with indie movies online.
If one values quality, one should learn to appreciate it when it appears. The average indie film isn't looking to be just another knockoff of mainstream movies, but looks at approaches and subjects Hollywood generally doesn't yet touch. It can be liberating not needing to make $100 million on the first weekend. It permits the cultivation of a small audience of elite taste and knowledge.
Perhaps the backbone of independent film is the indie filmmaker, often possessing a Master's degree from one of the growing number of film schools. Frequently, these films are also the work of undegreed, guerilla filmmakers. These types blur together almost seamlessly, with the latter group perhaps a bit more likely to emphasize genre like horror.
The nature of entertainment nearly dictates that there are going to be genres that almost never hit the marketplace jackpot. First among these is the documentary. Documentaries are of out-sized importance in the indie film market. They have a rare capacity to shine a spotlight upon issues that are ignored by Hollywood, and which are ignored by the nightly news as well.
Documentaries have been used as an instrument of social resistance, deployed by the world's most powerless. Often, documentaries are the best way a Westerner can come to understand the plight of those eking out an existence in those obscure corners of the world, such as Serbia and Indonesia. Within the West, documentaries peer into the unattended corners still with us, often on the underbelly of our gleaming cities. One camera can undercut the messaging of dictatorial regimes and uncaring corporations.
The world of film school, consisting of graduates, faculty, and current students, naturally dovetails with the world of independent film. Accordingly, the websites that cater to the indie audience often carry those films students use to learn their art, whether "independent" or not. They frequently carry foreign language films, especially acknowledged international classics. They also offer silent films, which are ignored by the blockbuster-addled public.
Minority communities have a special relationship with independent films. These movies help form an alternative media reality to go with their distinct lifestyle. Perhaps first among these people are gays and lesbians, a community with a standing need to see representations of romance that do not reduce to the standard, heterosexual story of a boy and a girl.
Another group is the evangelical community, which effectively includes Mormons. Both groups raise the objection that Hollywood has ignored their socially conservative values, and have begun making their own films. More and more people have come to value independent film, and increasingly, the best place to find them is online.
If one values quality, one should learn to appreciate it when it appears. The average indie film isn't looking to be just another knockoff of mainstream movies, but looks at approaches and subjects Hollywood generally doesn't yet touch. It can be liberating not needing to make $100 million on the first weekend. It permits the cultivation of a small audience of elite taste and knowledge.
Perhaps the backbone of independent film is the indie filmmaker, often possessing a Master's degree from one of the growing number of film schools. Frequently, these films are also the work of undegreed, guerilla filmmakers. These types blur together almost seamlessly, with the latter group perhaps a bit more likely to emphasize genre like horror.
The nature of entertainment nearly dictates that there are going to be genres that almost never hit the marketplace jackpot. First among these is the documentary. Documentaries are of out-sized importance in the indie film market. They have a rare capacity to shine a spotlight upon issues that are ignored by Hollywood, and which are ignored by the nightly news as well.
Documentaries have been used as an instrument of social resistance, deployed by the world's most powerless. Often, documentaries are the best way a Westerner can come to understand the plight of those eking out an existence in those obscure corners of the world, such as Serbia and Indonesia. Within the West, documentaries peer into the unattended corners still with us, often on the underbelly of our gleaming cities. One camera can undercut the messaging of dictatorial regimes and uncaring corporations.
The world of film school, consisting of graduates, faculty, and current students, naturally dovetails with the world of independent film. Accordingly, the websites that cater to the indie audience often carry those films students use to learn their art, whether "independent" or not. They frequently carry foreign language films, especially acknowledged international classics. They also offer silent films, which are ignored by the blockbuster-addled public.
Minority communities have a special relationship with independent films. These movies help form an alternative media reality to go with their distinct lifestyle. Perhaps first among these people are gays and lesbians, a community with a standing need to see representations of romance that do not reduce to the standard, heterosexual story of a boy and a girl.
Another group is the evangelical community, which effectively includes Mormons. Both groups raise the objection that Hollywood has ignored their socially conservative values, and have begun making their own films. More and more people have come to value independent film, and increasingly, the best place to find them is online.
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